Marija Bozinovska Jones (MBJ) explores links between organic and computational architectures mirrored in social systems.
Using wording, code and ephemera, MBJ works across audiovisual formats, installation and in live context. Her pieces probe technocapitalist amplification and cryptic ways of forging subjectivity, proposing agency through expansive notions of selfhood - from subatomic level to networked presence on planetary scale and beyond.
Grounded in a belief that worlding is an intrinsically collective process, MBJ regularly collaborates with researchers, programmers, devotional practitioners and other artists.
Bozinovska Jones has presented work among others at: The Barbican Conservatory and Whitechapel Gallery (London); transmediale/ Haus der Kulturen den Welt (Berlin); CTM and Deutschlandradio Kultur (Berlin) as the recipient of the Radio Labs award; Chronus Art Centre (Shanghai); Sonic Acts Academy (Amsterdam); Rewire (the Hague); Inversia (Murmansk); Mutek (Montreal and Buenos Aires); Tate Exchange/ Tate Modern (London); Wysing Art Center (Wysing) and at Somerset House (London) as a resident studio artist.
Bozinovska Jones completed postgraduate studies in Computational Arts at Goldsmiths in London, developing avid interest in critical theory. She grew up enrolled in multilingual public education, and in parallel attended a music conservatorium. Having learnt notation systems at an early age prior to alphanumericals, and several spoken and computer languages, led to her enquiry in the limits of intellectual understanding and scientific reason, and the inadequacy of language to convey direct lived experience.
MBJ identifies a need for an emotional equivalent to rational thinking for co-creation of communal values. To enfold this, she integrates Dharma practice with a Buddhist community and regular meditation retreats while she trains for ordination.
Contact: info-at-marijabjones.com
Photo by Adam Berry performing Fascia 181006190131 at Haus der Kulturen der Welt, Berlin
Title
Location
Type
Year
Cultural Labour, Creativity and Copyright in the Time of AI
conversation
2025
2021
2019
2019